michael j. morris


LINES OF FLIGHT: a screening of new queer porn

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PRESS RELEASE:

Bringing together the work of award-winning queer porn directors and performers, LINES OF FLIGHT will offer a glimpse of porn being made at the leading edges of culture. Each film presents a unique view of sexuality, sex, and gender, inviting viewers to consider sex—and its presentation—in new ways, to encounter desires that might be unfamiliar, to see things they have maybe never seen, and to expand their view of what is hot.

The screening will include four scenes curated by Michael J. Morris:
-“Going Here,” starring Jiz Lee and Lyric Seal, from Wet Dreams, directed by Courtney Trouble
-“Workout Voyeur,” starring James Darling and Damien Moreau, directed by James Darling for FTM Fucker, shot and edited by Isabel Dresler
-Jack Hammer and Jessie Sparkles, directed by Shine Louise Houston for Heavenly Spire
-Chelsea Poe and Courtney Trouble, from the feature length FUCKING MYSTIC, directed by Courtney Trouble and produced by Chelsea Poe

An open conversation will follow the screening, providing an opportunity for public dialogue about porn, sex, sexuality, gender, desire, pleasure, fantasy, power, bodies, or whatever else comes up.

February 28, 6-8pm at Feverhead (1199 Goodale Blvd, Columbus, OH, 43212)
FREE and open to the public
Donations invited to help rent the space
18+ event

Facebook event page: https://www.facebook.com/events/1395677790737026/

TRAILERS AND MORE INFORMATION:

-Jack Hammer and Jessie Sparkles for Heavenly Spire: http://www.pinklabel.tv/on-demand/?scene=jack-hammer-and-jessie-sparkles
“Heavenly Spire focuses on masculine beauty and sexuality, and how it manifests on different bodies, in a unique cinematic style. Directed by Shine Louise Houston.”

FUCKING MYSTIC: http://courtneytrouble.com/the-fucking-mystic-trailer-debut/
Fucking Mystic is a narrative pornographic film about a small town girl who moves to the Bay Area and finds she has a profoundly erotic effect on her new surroundings. Directed by Courtney Trouble, this film is a true collaboration, with Ajapop as the Director of Photography and Chelsea Poe as Executive Producer and headlining star.”

-“Going Here” with Jiz Lee and Lyric Seal: http://courtneytrouble.com/lyric-seal-jiz-lee-going-here/
“What if we could turn places of trauma into places of pleasure? In Going Here, Lyric and Jiz explore the edges of danger, public sex, experimentation, and lust. This exclusive excerpt from Courtney Trouble’s upcoming film Wet Dreams is about letting our fantasies take over all else.”
Jiz Lee on “Going Here”: http://jizlee.com/wet-dreams-courtney-trouble-films-going-here-jiz-lee-and-lyric-seal/

-“Workout Voyeur” with James Darling and Damien Moreau for FTM Fucker, shot and edited by Isabel Dresler: http://ftmfucker.com/2014/06/11/damien-moreau-and-james-darling/
“Damien Moreau watches his neighbor James go on a run outside. As James runs past his window, Damien finds himself lost deep in a fantasy … FTM FUCKER is owned, operated and directed by award winning FTM porn star James Darling. FTM FUCKER seeks to create an environment where trans men’s sexualities and bodies are celebrated in a respectful & affirming way.”

LINKS FOR DIRECTORS AND PERFORMERS:
-Courtney Trouble: http://courtneytrouble.com/awards-and-notables/
-Shine Louise Houston: http://shinelouisehouston.com
-James Darling: https://twitter.com/jamesdarlingxxx
-Jiz Lee: http://jizlee.com/bio/
-Lyric Seal: http://lyricsealsucks.tumblr.com
-Chelsea Poe: https://twitter.com/chelseapoe666
-Jack Hammer: https://twitter.com/jackhammerxl
-Jessie Sparkles: https://twitter.com/jessiesparklesx
-Damien Moreau: http://ohdamienmoreau.tumblr.com

CURATOR:
-Michael J. Morris: http://michaeljmorris.weebly.com

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upcoming events

FRIDAY June 1 at 7:00pm
Pomerene Hall, Room 316 OSU Campus
We invite you to come experience three new works-in-progress by choreographers Abigail Zbikowski, Michael J. Morris with Zachariah Baird, and David Thill with Anna House.
This event if FREE and open to the public. We hope to see you there.
Facebook event: http://www.facebook.com/events/332498653485167/

I will be presenting a new piece tentatively entitled “horizontal materiality: butler’s lesbian phallus, haraway’s cyborg, and preciado’s dildonics.” I’m honored to be performing this piece with my lovefriend Zachariah Baird, and to be sharing a showing with such talented choreographers as Abby and David. If you’re in the Columbus area, I hope you can make it!

PRIDE, PORN, PLEASURE: a QUEER PORN SCREENING and G-SPOT WORKSHOP at FEVERHEAD
Sunday, June 3, 2012
5:00pm-7:30pm
18+ age limit
suggested donation $2-5
Location: FEVERHEAD, 1199 Goodale Blvd, Columbus, OH

Join us for a queer porn screening presenting work by directors Shine Louise Houston and Courtney Trouble, curated and facilitated by Michael J. Morris, followed by a g-spot workshop with porn performer Nikki Hearts.

ABOUT THE SCREENING:
If we consider pornography to be an archive of human sexual behavior, queer porn makes important social contributions by giving representation to bodies, sexualities, and sex that go otherwise unacknowledged and often disavowed within our society’s mainstream cultural productions. In a society in which bodies/people are identified by markers such as gender, sex, and sexuality; in which rights and value are mediated on the bases of these identifications; and in which media—including pornography—plays significant roles in shaping our perceptions of both ourselves and of others: the production and screening of this material takes on substantial social and political dimensions. We invite you to come enjoy a sampling of sexy scenes by award-winning filmmakers and performers, to take part in dialogue about the social and cultural relevance of this work, and to consider pornography as a productive site of knowledge in addition to its erotic functions.
We will be screening scenes from Courtney Trouble/Tina Horn’s QueerPornTV.com with Sophia St. James and Quinn Valentine, Courtney Trouble’s Billy Castro Does the Mission with Billy Castro, and Shine Louise Houston’s The Crash Pad with Jiz Lee and Syd Blakovich.

For more information about the screening, contact Michael at morris.787@osu.edu
Michael J. Morris is a PhD student and Graduate Teaching Associate in the Department of Dance at the Ohio State University, doing research in the areas of performance, sexuality, and queer theories of the body.

ABOUT THE WORKSHOP:
Staying with the theme of taking pride and finding pleasure in bodies, Nikki Hearts will be leading a g-spot workshop. In the workshop, we’ll cover everything from how to find your and/or your partner’s g-spot, to the best positions and products to stimulate it, focusing on the range of pleasures you can achieve.

For more information about the workshop, contact Nikki at NikkiHeartsxxx@gmail.com
Nikki Hearts is an androgynous porn star and midwest native, currently traveling between the West Coast and NYC making films with the best of the queer porn genre.

This event is made possible because of the generous permissions of Shine Louise Houston and Pink and White Productions, and Courtney Trouble and Queer Porn TV, and the support of Queer Behavior.

Trailers/More Info:
QueerPornTV.com with Sophia St. James and Quinn Valentine: http://queerporn.tv/wp/sophia-st-james-and-quinn-valentine-part-two
Courtney Trouble’s Billy Castro Does the Missionhttp://courtneytrouble.com/store/index.php?route=product%2Fproduct&product_id=72
Shine Louise Houston’s The Crash Padhttp://pinkwhite.biz/PWWP/reviews/the-crash-pad/

Facebook event: http://www.facebook.com/events/184441321678164/



warming up
Image

warming up: a queer porn screening and conversation

warming up: a queer porn screening and conversation at FEVERHEAD
saturday, february 25, 2012
5:00pm-7:00pm
18+ age limit
suggested donation $2-5

Join us for a queer porn screening presenting work by directors Shine Louise Houston, Courtney Trouble, and Madison Young, introduced and facilitated by Michael J. Morris. If we consider pornography to be an archive of human sexual behavior, queer porn makes important social contributions by giving representation to bodies, sexualities, and sex that go otherwise unacknowledged and often disavowed within our society’s mainstream cultural productions. In a society in which bodies/people are identified by markers such as gender, sex, and sexuality; in which rights and value are mediated on the bases of these identifications; and in which media—including pornography—plays significant roles in shaping our perceptions of both ourselves and of others: the production and screening of this material takes on substantial social and political dimensions. We invite you to come enjoy a sampling of sexy scenes by award-winning filmmakers and performers, to take part in dialogue about the social and cultural relevance of this work, and to consider pornography as a productive site of knowledge in addition to its erotic functions.

We will be screening scenes from Shine Louise Houston’s HeavenlySpire.com, Courtney Trouble’s Roulette: Toronto, and Madison Young’s Fluid: Men Redefining Sexuality; with performances by James Darling, Quinn Valentine, Jiz Lee, Drew Deveaux, River Turner, Tommy Midas, Rose, and Devi Lynne.

For more information, contact Michael at morris.787@osu.edu
Michael J. Morris is a PhD student and Graduate Teaching Associate in the Department of Dance at the Ohio State University, doing research in the areas of performance, sexuality, and queer theories of the body.

This event is made possible through the support of CoCo Loupe, FEVERHEAD, and Queer Behavior; and the generous permissions of Shine Louis Houston and Pink and White Productions, Courtney Trouble, Madison Young, and Good Releasing.

RSVP on the facebook event page: http://www.facebook.com/events/210505295702709/

Trailers/More Info:
HeavenlySpire.com with James Darling and Quinn Valentine: http://www.heavenlyspire.com/wordpress/james-darling-and-quinn-valentine/
Courtney Trouble’s Roulette: Toronto: http://courtneytrouble.com/dvds/roulette-toronto/
Fluid: Men Redefining Sexualityhttp://goodreleasing.com/fluid-men-redefining-sexuality/

http://feverhead.com/
http://queerbehavior.com/wordpress/
http://pinkwhite.biz/
http://courtneytrouble.com/
http://madisonbound.com/
http://goodreleasing.com/



Sketches of Shame; queer porn

Different new projects/potential projects in the works.

This week I start rehearsals with Daniel Holt. I am restaging/recreating Sketches of Shame, a piece I made with Clara Underwood in 2007. I already know there are things that are changing. From the “original,” I think I am retaining Clara’s solo, which will be performed by both Daniel and me simultaneously. It is not set to counts, and the timing is not necessarily precise. I’m interested in the fluctuation of drifting in-and-out of unison, how the aligning and misaligning of bodies/actions/pre-determined gestures articulates something about the shame experience as one predicated on the sensation of falling out of line/out of synch with the/a regulatory normality. Here the choreography functions as that regulation, we are both approximations, but there is no absolute measurement; we are each variables being treated as constants in the assessment of the other . . . this seems to me to be central to the production of bodies, genders, sexes, sexualities, etc. It is also my intention that a significant portion of the piece be done watching one another. That might enhance the analogy (observation and the sensation of being observed are central to the shame experience), or it might break the analogy in that watching one another without falling into perfect unison will be difficult. Or maybe not. Perhaps the deviations will become much more subtle, but the remaining disparities are would be more acutely analogous to the slippages of bodies/genders/sexes/sexualities that are attempting to adhere to regulations. Maybe.

There is another section that will be new material, added at the front end of the piece. It’s still very new, and I’m a bit guarded about discussing it. We’ll see how it goes and how much makes it onto the blog.

Another project that occurred to me yesterday that I might consider as a study for my Theorizing Performance course this quarter is an analysis of queer bodies and queer sex in a survey of queer pornography. This is building from earlier ideas about pornography as non-sanctioned sex education and an archive of human sexual behavior (there is a recent wealth of research on pornography as a source of sexual information in adolescent development, and it is at this intersection of development along with developing sexual identities–which might take place beyond adolescent development–that I see pornography as a relevant line of inquiry into the socialization and education of [sexual] bodies), and queer pornography as a radical intervention for expanding the range/scope/possibilities of such an archive (and thus, in effect, the range/scope/possibilities of bodies/identities that are educated and circulated back into culture/society). My interest is in developing a lexicon for the bodies and relationalities demonstrated in this media, particularly in the work of pornographers such as Madison Young (who has specifically addressed fluid sexuality in a series of docu-porns), Shine Louise Houston (crashpad), and Courtney Trouble, among many others. I’m thinking of something like a survey of 20-30 performers in 2-5 films by each director. I don’t know what I’m looking for yet . . . that’s the nature of developing a lexicon, allowing it to be emergent from the data sources considered. Things to consider might be: self-identification (do these performers identify as queer, genderqueer, female, male, trans, etc. etc. etc.); bodily configurations in sex acts (parts of the body involved, how they are involved, etc.); performance of roles within these configurations; inclusion of extra-bodily components (dildos, condoms, gloves, etc.); number of participants; and whatever else comes up. Maybe.

Those are two projects that are in my mind right now. We’ll see where they go.



Inspirations: queer porn, ecosexuality, etc.

I wanted to take the time to leave the trace of another constellation of ideas that are forming frames for me right now. In the midst of everything else I’m doing, I have also been lucky to find some intense inspirations. One of the most notable is work happening in and around queer porn.

I have written around some of these ideas on the blog for the Laboratory for Independent Scholars (the collaborative research project with Karl Cronin, Christopher Kennedy and myself). You can check out those posts here.

On that blog, I listed lots of the individuals involved with and responsible for queer porn that have quickly become heroes in my life. I don’t want to be redundant, but I do want to leave a trace, so briefly (with hyperlinks, which are anything but brief when blogging), they are:

Jiz Lee (genderqueer porn star, blogger, activist, artist, etc.)

jiz lee

Madison Young (porn star/director, gallerist, educator, etc.)

madison young

Shine Louise Houston (porn director/producer, etc.)

shine louise houston

Courtney Trouble (porn star/director/producer/etc.)

courtney trouble

Syd Blakovich (porn star, artist, activist, etc.)

syd blakovich

Drew DeVeaux (porn star, model, etc.)

drew deveaux, photo by rae threat

Dylan Ryan (porn star, academic, etc.)

dylan ryan

Billy Castro (porn star, etc.)

billy castro

Annie Sprinkle (one of the the original queer porn performers/directors/dreamers; artist, activist, sexecologist)

annie sprinkle

Travis Mathews (filmmaker, activist, artist, etc.)

These people are some of my many heroes.

I wish I could write a whole essay right here about why I think queer porn is a radically progressive force in our world, culture, society, etc. (I’ve dabbled with some of these ideas on the LIS blog), but the short version is that queer porn, among much else, demonstrates and performs bodies and sexualities in a way that substantially disrupts and subverts normalized heterosexist configurations of bodies, identities, sex, sexualities, and gender. By giving representation to bodies and acts that live at or beyond the edges of normativity, queer porn offers legitimacy and recognition of those lives to others who are living them . . . that’s not clear . . . what I mean is that one of the things queer porn does is offers a site of identification for those who live and perform their bodies and sexualities outside of the socially sanctioned and normative. But it also functions as a activism towards a public archive of such lives/bodies/sexualitites that authors our culture beyond the edges of the normative. It leaves a trace of some for all, an archive that subverts the notion that all bodies and people are a particular way (this is most notably a heteronormativity, but I would venture to argue that much of gay sexual practices, identities and representations have configured themselves as imitations and emulations–thus representations and reiterations . . . maybe even simulacra–of heterosexuality, thus constituting a homonormativity that continues to abject some lives/bodies/sexualities and sexual expressions/acts as unlivable; I think the efforts of queer porn disrupt these normativities as well). In this way, queer porn accomplishes in representations of sexual encounters, relationships, pleasures, etc., what I tend to strive for in my dancing life–a practice, experience and perhaps even representation of bodies of vast possibilities, bodies that know and become more rather than less, that form and reform within mobile, fluid edges, never stable and always in transition.

I have some ideas of how my work will begin to dialogue with practices in queer porn. Some of this will be explored in the forthcoming reconstruction of “Sketches of Shame” (discussed in my previous post), although I’m not yet certain how.

I also have become interested in how this work and work by these individuals beyond the scope of “porn” might become topics of my research (alongside arts practices by the Love Art Laboratory, Karl Cronin, and various Butoh artists). One such example is a project with which I have recently become completely enamored called Twincest:

Described on their site:
“twincest was a multimedia collaboration between two lovers, Jiz Lee and Syd Blakovich. They spent 4 years together documenting their interpersonal dynamics and intimacies through sound, movement, video, photography, body fluids, pain, aggression, meat, sex, and love. Founded in 2004, their art and performances not only strengthened their budding relationship, but also provided a playground for the more complex elements that manifests in love’s shadows.”

their manifesto:
“My blood brother/sister,
Bonded by bloodpissshitcumspitpussweat-andassjuice, we share a body/canvas/culture for projections of disjunctured identities. With you, I expose and archive the physicalities of the sorid, you are my twin conjoined through the technological extentions of the body, a desire for the same…
bleedng
wrpt in soild shts
fckd dry
Anx us
and dstrctd”

Traces of their work.

Syd Blakovich says on her website (which is distinct from the twincest project that she conducted in collaboration with jiz lee from 2004-2009): “My interest in movement based performance is similar to my interest in body fluids. It’s a dialog between bodies and the spaces they occupy.”
Which is completely ecosexual, as far as I’ve theorized it.

I want to write about this work. I need to study it more. I need to be in contact with Jiz Lee and Syd Blakovich at some point. I need to draw together supporting theoretical materials needed to discuss this work. I already think Bataille’s Erotism, Death & Sensuality has a lot to offer. I think Catriona Sandilands “Eco Homo” article has a lot to offer.

I’m thinking about flesh and fluids, permeability and that which permeates, transmission and that which is transmitted (this has to do with performance, performativity, writing, choreography, etc., in the metaphorical sense), but also the levels of the body which we (in dance, in society) don’t address. I remember reading Bonnie Bainbridge Cohen’s writings about Body-Mind Centering, and those writings referring to movement on a level of fluids and tissues and bones. I didn’t find it to be very precise, although I have heard from colleagues who are more familiar with that work that those who understand it intimately, it is incredibly precise.

As I talk about fluid bodies, how can I not talk about body fluids? The morphability/malleability/instability of bodies is at the skin, in the seeping and sloshing and squirting, the sweating, the threat of leakage, the “necessity of management” (or of an aesthetics of flesh, re: Sandilands) in an age of latex. As I write about sexual epistemologies (see the paper posted in previous post), how do I not discuss latex and liquids, the edge between safety and danger that is inseparable from how we must know/understand sex in this era, and how does that affect how we live/understand the world, bodies, identities, dancing, etc.?

And what does a dissertation begin to look like if these are (potential) figures to be considered: the Love Art Laboratory (Annie M. Sprinkle and Elizabeth M. Stephens), Karl Cronin and the Somatic Natural History Archive, twincest (Jiz Lee and Syd Blakovich), and Butoh artists such as Kazuo Ohno, Tatsumi Hijikata, and Yoko Ashikawa?

I’m not sure where any of these ideas/inspirations are going, but I knew I wanted to begin to leave their traces here.
I’ll keep you informed as to how they develop.