michael j. morris

performance journal: sketches of shame
18 January, 2011, 12:13 pm
Filed under: creative process | Tags: ,

I just wrote out a written description of the phrase material in “sketches of shame.” I may notate it (in Motif description, most likely) at some point, but this was a memory aid for both of us. It’s now a part of the project of what we are performing, so I thought it needed to live here as well:

phrase, 2xs small
phrase, 3xs accelerating
arm swing phrase (right arm, left arm, hands to chin, hands to mouth, right hand to groin, both hands to cheeks, three heart stabs), 2xs
first punching phrase (stomach, stomach, chin push, groin, two hands to chin, three heart stabs)
punching: chin, groin, left shoulder, right shoulder
repeat, without punches
punching in this pattern, accelerating
sudden shift to “positioning” (forehead, groin, left shoulder, right shoulder); accelerating
sudden shift to touching (forehead, heart, left shoulder, right shoulder); uneven timing
touch forehead/hand drops/lead to drop to the floor
scurry/crawl in a circle (1 1/4 circle to change facing a quarter turn to the right), continue forward on straight path
three “arm-pump” prayers, heart stab; 3xs
strong/slow “arm-pump” prayer to bow; 3xs
scurry back on all fours
fast forward on knees, chest+arms splayed
slow backwards on knees
fast forward on knees
slow backward on knees
fast forward on knees
basic phrase, pressing into body (eyes on high diagonal?)
basic phrase (with more resignation), eyes level
punching phrase (stomach, stomach, chin push, groin, two hands to chin, three heart stabs)–heart stabs take you to floor
shifting between two modes: pressing against something heavy on top of you; pulling yourself open; shift between these 3-4 times;
shift back into basic phrase, but lost in a kind of frenzy
back into “pulling yourself open”; burst/puddle
sudden moment of self-consciousness; pull yourself back together;
stand up, gather clothes (looking at one another/not looking at one another?)

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