michael j. morris


So many things; so little

Tonight I saw the show Japan Dance Now at the Wexner Center for the Arts, featuring three contemporary Japanese dance companies: BABY-Q, Nibroll, and Sennichimae Blue Sky Dance Club. I am enraptured. All three were amazing performances, and although they had moments of stylistic intersection, overall were three profoundly different voices. It was a well curated show, and excellently performed. Oh, and there’s the part when I was moved to tears.

You can see a video with clips of these companies below (they appear in this order: Sennichimae Blue Sky Dance Club, BABY-Q, Nibroll):

The piece by BABY-Q brought me very much into my head it was a solo by Yoko Higashino accompanied by multimedia elements entitled E/G-Ego Geometria. It was for me a successful integration of dance and video (not all dance accompanied by video succeeds in successfully integrating the two, in my opinion). The meaning I brought to it had to do with the erasure of individual identity, the seen and the unseen, the known and the unknown of the person, and all the factors that contribute to these dichotomies. Descriptions that come to mind are:
faceless legs in silver platform heels
the body lost in the barrage of visual media
small conversations between a person and a camera, projected on a twenty-foot tall wall
white. black. red.
covered/uncovering
In the incredible density of the video projected into the space, which also served as the primary lighting for the first half of the piece, the body of the soloist became transported into an almost virtual world. The media was so much and so encompassing that it almost served to remove the dancer’s presence. Gradually stage lighting was added, and in seeing the body lit from multiple angles, and the lighting of the videos faded by the additional light, the body became more present. And then was further uncovered. We were allowed to truly see the dancer, her face, “who” she was.

The second piece was entitled Coffee by Nibroll. It was even more of a battery of video images, loud music, fast movement, constantly shifting costumes and characters and interpersonal dynamics. The program notes described it as an exploration of the boundaries we cross in the course of our daily lives.

The true gem of the evening (for me) was The end of Water by Sennichimae Blue Sky Dance Club. It was full of subtlety, slow movement, articulate gestures, gradual lighting fades, stationary dances, and a gamut of humanity and emotion. They describe their company: “this butoh-based all female troupe seeks to uncover new, original physical expression with a pop sensibility. Their choreography is born out of carefully observing elements from the physical memory of modern life and bringing them into new light.”
From the first section as the lights came up to reveal four figures lying on the ground slowly and gently stirring, I started to cry. I can’t necessarily explain this emotional reaction, except to say that it had to do with recognition. This is a big word for me, and is central to the relevance I see in art as a whole. The most profound experiences I have had with art, be it music (such as Meredith Monk’s mercy or impermanence) or dance (such as Yoshito Ohno’s Emptiness (Kuu) or Moeno Wakamatsu’s Dryope from Project OVID or CoCo Loupe’s In the Clear), standing in front of a wall sized Lee Krasner painting or a piece by Ann Hamilton, or reading Autobiography of Red by Anne Carson or Journal of a Solitude by May Sarton, the common thread of these experiences is that I sensed or saw or felt something familiar, something being created by someone else that I recognized as connected to my own experience. This sort of interpersonal human connection is why I engage in art, in dance, reaching towards a sense of knowing and being known through the work.
I felt that tonight with Sennichimae Blue Sky Dance Club. I felt understood and represented and recognized. I felt their humanity, saturated with nuance and complexity, immediacy and history.

It was a truly rewarding show. It has two more nights here. For those of you in the area, I hope you have an opportunity to see it.

For those of you interested in a more in-depth review of the show itself, and not just my experience, I found this nice blog by a commentator who saw the show a couple of weeks ago. You should check it out.

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1 Comment so far
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Thanks for the link–glad you enjoyed the program as well.

Cheers,

Zac.

Comment by trailerpilot




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